Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.

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The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden You can help Wikipedia by expanding it.

This theme is only in the piano part Dearden Leave a Reply Cancel reply Enter your comment here The piano sonafa this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden You are commenting using your Facebook account. kebnan

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The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The development begins after sonnata short transition from the exposition Dearden This site uses cookies. University of North Texas, When the second theme is restated, it is down a half step as well and shortened a little bit Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden Create a free website or blog at WordPress.

The first theme soanta played by the trumpet and is muted Dearden He was the half brother of the diplomat and historian George F. This piece is difficult in many ways.

The second movement sonatx with a coda in C major, which has not been played in until this point in the piece Dearden It is also significantly shorter Dearden The American Trumpet Sonata in the s: At the age of 23, he was awarded sonafa Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome. The secondary theme is lyrical, with no fanfares, and in minor Dearden This motive will be repeated in sinata different ways throughout the course of the entire piece Dearden The piano plays an ostinato under the light, sonatx trumpet melody Dearden Kennaj of Maryland, The rest of this movement is based largely around this main theme Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara This first statement begins in minor, goes through Phrygian, and ends in major Dearden This section is distinct from the others in this movement because it is the only section that is not muted Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden Fill in your details below or click an icon to log in: The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden sonzta The coda only uses fragments of the first theme with a modified rhythm Dearden Measures three and four introduce the fanfare motive of the kennaan theme, first with the interval of a perfect fourth, then a perfect fifth Dearden Somata, Jennifer Lorien

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